In Race on Display in 20th- and 21st-Century France, I turn the tables France’s rhetoric of ‘internal otherness’, asking my reader not to spot those deemed France’s others but rather to deconstruct the very gazes that produce them. Weaving together a vast corpus of colonial French children’s comics, Francophone novels, and African popular music, fashion, and dance, I trace how the ways colonial ‘human zoos’ invited their French spectators to gaze on their colonized others still inform the frameworks through which racial and ethnic minorities are made—and make themselves—visible in contemporary France. In addition to analyzing how literature and music depicting immigration, immigrants and their descendants in France make race and ethnicity visible, I also illustrate how the works self-reflexively ask whether they, as commodities sold within wider cultural marketplaces, perpetuate the culture of exoticism they seek to contest. Finally, I contend that to take seriously the way the texts interrogate the relationship between power, privilege, and the gaze also requires reconsidering the visions of normalcy from which racial and ethnic minorities supposedly depart. I thus conclude by exposing a critical ‘blind spot’ in French and Francophone cultural studies—whiteness—before subjecting it to the same scrutiny France’s ‘visible minorities’ face.